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"Not what you'd notice, Ma. He ain't any like Mr. Stanhope. His face—I ain't likin' it a bit. Besides, Ma, he flogs his poor horse somethin' awful.",

As the carriage went down a lane into the main road, it overtook Sir William Lawrence, who was stoutly trudging along in the [Pg 86]direction of Old Harbour, striking the ground as he went with a staff with the regularity of the pounding of a wooden leg whose owner marches steadily.,

"It is wonderful to think," said Miss Acton,[Pg 97] "how far a ship like this will go. I suppose she would go around the world.",

Captain Weaver knew many who were engaged on the several wharves, and so indeed did Captain Acton. They asked two or three score of different persons the question, but the majority had not been down on the wharves at that time, and the few who were at work declared that they had not seen her. It seemed impossible to Captain Weaver as well as to Captain Acton, that so beautiful[Pg 195] and well known a lady as Miss Lucy should make her appearance on the wharf at a time of day when scarce more than labourers were about, without being either recognised or seen, and her presence borne witness to by those who did not know who she was.

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She turned slowly away, then came back and put her hands on his shoulders. She did not speak but the look she gave him was enough. His heart laughed. He turned toward the teacher with so glad a light in his grey eyes that the schooled moulder of young souls gazed back at him in bewilderment.,

CHAPTER XIV OLD HARRY TURNS A TRICK,

"And found me, Frank?",

The scene of the quay-side was gay and indeed festive. The few ships had hoisted colours in celebration of the Aurora's arrival, and the large flags of those days streaming from mast-head and gaff-end and ensign-staff and jack-staff combined with the brilliant blue of the sky, the light and lovely greenery of spring that clothed the ravine's slopes, the sober hue of the cliffs, the white shape of the squab lighthouse past which some gulls[Pg 90] were wheeling, the chocolate tint of the revolving windmill, the sober grey of the houses and the diamond sparkle of the river with its softened reflection of bridge and banks streaming into its heart in dreamlike shadow of what was mirrored: this combination, I say, coupled with the motions and colours of human life on the quay-side, albeit the beer hour had struck and the picture owed nothing of animation to the workmen, fascinated the eye with the calm, the freshness, and the glory of a little English sea-piece, Sabbath-like in repose, lighted by the sun of April beaming in a perfectly fair heaven.